2017 The Walking Dad
2006 Wonday
1993 Songs to Sleep By
1997 Songs to Sleep By 2
2002 Sunday Sampler
2002 Dad's Picks
1999 Mix 1 (sy55)
2010 Mix 2 (triton vocal)
2010 Mix 3 (triton instr.)
1991 Archives
1992 College Collection
1993 College Collage
1994 The Hermit
1997 Where's My Muse
1999 South or Southeast
2001 In the Margins
2002 Renewal
2002 Re-treat
2002 Convenience
2002 Back Up
2003 So So
2003 So On
2003 So Long
2003 Baby Steps
2003 Baby Talk
2004 Schmocial
2004 Brroom
2004 Chuckadee
2004 Disco Hike
2004 Extra Extra
2005 Coma Pill
2005 Ourboretum
2005 Jaminy
2005 Padden Drift
2005 Gorilla Love
2005 Aminals
2005 Vegibles
2006 Fruitine
2006 Dignored
2006 Miner
2006 Mouseculine
2006 Yata
2007 Zipit
2007 Sixawon
2007 Halfdosin
2007 Whatcom Home
2008 What Roses
2008 Pho Kit
2008 Composed Pile
2009 Decomposed Pie
2009 Swaddlicious
2010 Lost Train
Soft Synths
2011 Out the Margins
2011 Redebut
2011 Reprogression
2012 Working Progress
2013 Tripico
2014 Aerosol Concrete
2015 Reduced to Clear
2016 Motions
  • Title: The Walking Dad
  • Artist: Tripecac
  • Timespan: 2017
  • Theme: underway
  • Length: 33:10
  • Tracks: 5
  • Lyrics: 1
  • MP3s: 5 play all locally
  • Rating: (none) rate this album

Track List

# title lyrics time download listen started recorded rating
1 False Tart - 2:17 download listen locally 2017-01-12 2017-02-20 (none)
2 Pramnation lyrics 7:50 download listen locally 2017-02-21 2017-03-29 (none)
3 Dedgehog - 7:30 download listen locally 2017-03-30 2017-05-02 (none)
4 YaYa - 7:30 download listen locally 2017-05-04 2017-05-16 (none)
5 Freetimeless - 8:03 download listen locally 2017-05-23 2017-06-13 (none)
  Total   33:10 play all locally album rating: (none)


This is my current project.


False Tart

I was testing some new Cuban sounds. But my test ended up sound like cheese city. Do Cubans use a lot of cheese in their food? I didn't think so.

Anyway, this sounded so generic and lame that I decided to end it early rather than prolonging the aural agony for another 5 minutes or so. This makes it one of the shortest songs I've recorded in years!


This song is really really stupid, and really really long. To make it worse, I had really really bad audio problems in Sonar: pops and clicks galore. I think the fault lay mostly with the cheesy drum sound, which was piped through a very aggressive compressor. Also, there were some arpeggios on the organ patch which caused lots of popping. It was a painful experience to edit this song, so listening to it is not much better. Misery loves company!

Anyway, at least it's done. "Finishing" it felt like euthanasia. And on the positive side, since it eats up quite a bit of time, I guess that means I (hopefully) won't feel as rushed to finish the album later on this year.

Lyrics to "Pramnation":

i've got a thing to say about pushing a stroller up the hill
i've got a thing to say about prams



This song took forever to finish, thanks in part to school holidays. And tons of work. And an increasingly feeble mind.

But at least I finished.

So... not so feeble after all, eh?


The last part is deliberately off-kilter and grating. The hedgehog has been smooshed.

But it keeps trying to walk, like it's coming back from the dead.

Like Tripecac.


As always, I had to pick a name first, so I chose "Yet Another Yet Another" (or YaYa for short).

But then I decided I wanted to create something very different from what I'd done before on this album. So I started with a very echo-y drum kit, and a very sparse rhythmic pattern.

I then added a melodic bass part, and then piped it through Guitar Rig 5 to give it a really grungy sound. For the first time ever, I figured out how to preserve the stereo input of the bass part with Guitar Rig, and that sounded a lot cooler than the mono version. It was nice to learn something!

As for the rest of the parts, well, their instruments were not that unusual (clav and kora), but what was unusual is the arpeggiated feel of them. Usually I just sort of bang away (thud thud thud) but this time I tried to add some delicacy. Without sounding too wimpy.

Then I added some out-of-tune vocals. Oh boy.


When I started this song I was feeling starved for free time, and getting impatient with everything, including music making. I was tired of spending so much time trying to get the instruments and mix sounding "right" when I knew by the time the song was done, they wouldn't sound nearly as "right" as I wanted.

I decided to switch things up a bit, to try to break the "rules" in terms of what constitutes a good recording (according to the audiophile forums I'd been frequenting).

So instead of trying to sound like a "real" band, I chose intentially fake-sounding synths and drums. I overcompressed everything, to simulate the "loudness war". Instead of adding master reverb to give the instruments a sense of unity, I left everything dry, except for a dated-sounding gate reverb on a snare drum towards the end. In other words, I was trying to see how much worse this "lazy" approach would sound relative to my more careful habits.

The net effect is pretty synthetic, artificial, and harsh. But is it worse? I don't know. It certainly is different.

Kinda like a new spice to add to the rack.

Which sits in the corner of the garage.