This is the printable cover for Songs to Sleep By 2.
Since I use it to make labels, it's tailored to my printer and browser (IE7) settings. It might not look or print as nicely on your PC.
I suggest you try a print preview and/or low-ink draft print before trying to print actual labels.
Make sure you configure your browser to print backgrounds, or the images won't print.
Set your left/right printer margins to 0.75 and your top/bottom margins to 0.50.
This was my remake of the 1993 version of Songs to Sleep By. It includes the same songs (and between-song narration) from IPECAC and The Master Anchovies, but omits the Band in the Land of the Anchovies mini-album and adds four songs from the Dead Anchovies, and several more from Tripecac.
I created a colorful tape sleeve, with pictures from a recent trip to California. This was the last tape for which I created a sleeve; all my subsequent albums have been finished on CD.
Here's the front of the original tape cover (from 1997):
Here's the back of the original tape cover:
Originally known as Apostrophe, IPECAC was a two person rock/jazz/funk/rap/reggae outfit consisting of Travis Emmitt and Jon Friesen. Both musicians played a variety of instruments, but the normal configuration was Jon on saxophone and Trav on keyboard, vocals, and mellophone.
IPECAC didn't last forever (thankfully, you might say), but that did not mean Jon and Trav stopped playing together. Instead, they and their friends Anand, Luke, and Allen started a new band called The Master Anchovies. The Anchovies played for families and parties, and were getting close to considering Battle of the Bands when suddenly Jon quit in order to join a "real" band.
During college, the remaining Anchovies got together during breaks to try to retread some of their past "glories." This failed miserably, and it is only when they forsook their old songs and ventured into new, experimental areas that any sort of wit or enjoyment emerged.
When IPECAC and the Master Anchovies collapsed, Travis started working on making solo recordings. His early solo efforts were rather tacky and offensive (witness "All My Love"), but gradually he learned how to craft pleasant, catchy pop songs for the whole family.