Tripecac - Where's My Muse (1994-1997)

  1. SPCA [3:42] 1994-03-21 - 1994-03-21
  2. Solid Blue [3:50] 1994-03-21 - 1994-03-21
  3. The Trap [3:47] 1994-03-21 - 1994-03-21
  4. Another Anchovies Practice [4:06] 1994-05-13 - 1994-05-13
  5. Where's My Muse? [4:33] 1994-06-14 - 1994-06-14
  6. Return to Duckville [4:17] 1995-02-27 - 1995-02-27
  7. Clearing the Cobwebs [0:36] 1996-05-12 - 1996-05-12
  8. I Don't Do Hills [3:54] 1996-05-12 - 1996-05-12
  9. A Flat for Effort [3:09] 1996-11-20 - 1996-11-20
  10. Good Riddance [0:04] 1996-11-20 - 1996-11-20
  11. Been Too Long [4:05] 1996-12-14 - 1996-12-14
  12. Been Way Too Long [13:40] 1996-12-14 - 1996-12-14
  13. Tick [3:22] 1997-02-01 - 1997-02-01
  14. Roach Attack [2:27] 1997-02-01 - 1997-02-01
  15. Guitar In Out [0:05] 1997-02-23 - 1997-02-23
  16. Half an Intro [0:54] 1997-02-23 - 1997-02-23
  17. First Thing Intro [0:14] 1997-02-23 - 1997-02-23
  18. First Thing in the Morning [6:08] 1997-02-23 - 1997-02-23
  19. The SS God Is Love [2:55] 1997-02-28 - 1997-02-28
  20. Analyzing Friendships to Death [2:43] 1997-04-19 - 1997-04-19
  21. Zappaccino [0:27] 1997-04-19 - 1997-04-19
  22. Hoboes on Acid [1:46] 1997-04-19 - 1997-04-19
  23. Acid on Hoboes [1:20] 1997-04-19 - 1997-04-19
  24. California Greetings [1:11] 1997-04-19 - 1997-04-19
  25. Artificial Life [4:35] 1997-04-19 - 1997-04-19
  26. What Could Have Been [0:55] 1997-04-19 - 1997-04-19
  27. Here's to the Future [0:54] 1997-04-19 - 1997-04-19

On 19 April 1997, I finally finished Where's My Muse?, which, at over three years in the making, was my longest [in-progress] musical project by far. To be honest, I think I felt more relief than pride when I put the final song onto tape!

Why did it take three years? Well... I can blame it on moving in with my girlfriend, on getting a TV, a new computer, a CD player, a full-time job... I can even blame inspiration-paralyzing trepidations of "living up" to my previous album, The Hermit (1994), which I considered my creative peak. Whatever the "true" cause(s) of the musical decline, the effect was that as the months and years rolled by, I found myself recording fewer and fewer songs per year.

In the Spring of 1994, fresh from finishing The Hermit, I recorded five decent-to-good songs: ("SPCA", "Solid Blue", "The Trap", "Another Anchovies Practice", "Where's My Muse"). Then came summer break, and a move off-campus to an apartment with a TV. The rest of 1994 was barren: I just recorded two "Sleeping Gas" covers in December (not on this CD). In all of 1995 I only recorded one song ("Return to Duckville"), which made it my least productive year for the last ten!

1996 started off just as weak. By May, I was feeling guilty and frustrated by my lack of musical productivity. I'd been fiddling around with a jazzy piano riff for a few months and decided to turn it into a song for Mother's Day. I added some lyrics and a bridge, and voila: "I Don't Do Hills", my first song in over a year! The immense satisfaction I got from finishing that song inspired me to start practicing more frequently, which I did until June, when I was sent to California on travel...

California was a 6-month tedious/adventurous "open aired cocoon" for me. I was living completely alone for the first time (in a motel), and didn't know anyone. I didn't have a computer (at first), a stereo, or roommates so I was "forced" to go out into the "real world" to find things to do. The amiable Southern California weather certainly helped!

One Saturday afternoon I was exploring a nearby college campus when I noticed a Fine Arts department. It was unlocked. I went inside and found some piano practice rooms.

"Cool!" I said to myself and commenced to bang away gleefully for the next couple hours.

The next weekend, I came back and played some more, and the next, and the next... until I was jogging or rollerblading to the campus three or four times a week. I started bringing notepads, and then a dictaphone, and soon found myself writing, practicing, and recording songs regularly, just like in the "good old days". This musical productivity made me very happy, and I kept it up.

When I came back to Virginia in November, I lost most of my musical momentum, thanks to a new apartment full of roaches and no nearby pianos. The week before Thanksgiving I found time to record "A Flat for Effort", my first guitar-only song in years. December yielded "Been Too Long" and its longer, evil twin "Been Way Too Long".

1997 opened up wimpily. I spent my weekends traveling or filling out grad school applications. But in February, I had some weekends off and managed to record five songs in just one month, a feat I hadn't managed in several years! March was taken over by beach week in Florida, a return trip to California, and girlfriend troubles.

April was pretty dead until the 19th, when I woke up determined to knock out some tunes... Six of them! Five were half-finished instrumentals and the sixth, "Artificial Life" was a hastily assembled just-get-it-over-with affair, but the bottom line was that I was finished! When the tape ran out half way through the backwards-sample "Here's to the Future", a huge smile lit my face.

Recording Notes:

I used a Yamaha SY55 keyboard workstation for most of the music, occasionally adding a Roland TR-505 drum machine or an acoustic guitar. I recorded to a four-track and used a cheap reverb box (perhaps too frequently!). I mastered to cassette using a Pioneer CT-W250 tape deck.

Here's the original tape cover (from 1997):

Where's My Muse? tape cover

Here are some scans of the original CD cd (from 2000-12-24):

NOTE: Looks like my scanner's dying. These scan are blurry and the colors look awful. Sorry!

Where's My Muse? front outside (2000) Where's My Muse? front inside (2000) Where's My Muse? back inside (2000) Where's My Muse? back outside (2000) Where's My Muse? sticky label (2000)